Six of the best at Christmas

If you find yourself in Dublin on one of these dark, damp, but cheerful evenings before Christmas, you might discover some large groups marauding through the city streets, bedecked in retro Christmas jumpers. Some may be singing and roaring. Others may come stumbling out of drinking emporiums, swaying and smiling as they meet the cold winter air. You’ll wonder if the city has mad. Worry not. Some visitors have heard of the twelve stations of the Cross, others the twelve steps of recovery. If you’re in Dublin, you’ll be looking at those on the twelve pubs of Christmas.

The annual ritual of a drink in twelve different pubs has become fashionable in recent years. Some pubs even refuse entry to those mid-ritual. While the notion of sinking twelve pints/glasses/shorts in one boisterous night in Dublin may not appeal, halve the challenge and try six of Dublin’s finest.

Start off on Dawson Street, where you’ll find the city’s smallest pub, The Dawson Lounge. At the best of times, you could be forgiven for wondering how this small, cellar level pub can satisfy health and safety regulations when a crowd bursts in. At Christmas, you won’t find a crowd, more a tin of sardines. The temperature rises, the rooms expands, the door to the toilet becomes a virtual anteroom, and everyone sucks in their chest. Yet the buzz and the novelty make it worthwhile.

Then it’s onto the other side of Grafton Street and Harry Street, where Phil Lynott will be waiting for you, or a bronze statue more accurately. Philo is aptly located beside Bruxellles, a Dublin pub with true rock music heritage. The Saloon Bar is atmospheric and always has a sense that someone interesting is just about to arrive.

For the bohemian in you, your next pub is Grogan’s on South William Street. For its cramped, 1970s living room feel; for the art (a lot of it for sale) on the wall; for the quality of the stout and the authenticity of the toasted sandwiches – this is a must visit.

Just down the road on Exchequer Street is one of Dublin’s hidden gems: The Library Bar. Upstairs in the Central Hotel, this bar is full of fine furnishings, book shelves, paintings and plenty of space and calm for conversation. This unique setting feels like an exclusive club’s lounge bar and is the perfect place to ease the pace before the final stretch.

When most Dubliners think of O’Neill’s, they think of on Suffolk Street and the place with a license to sell booze for over 300 years. Yet its namesake on Pearse Street should be your next location. This Victorian pub and townhouse provides a nice range of beers (including the increasingly popular craft varieties), warmth, an easy atmosphere and doesn’t take itself too seriously – exemplified by its late opening (note: not closing) of 4pm on Saturdays, and closure on Sundays.

Alas, most cities have a river and Dublin’s should be crossed. Warmed by the five previous establishments, walk to the Ha’penny Bridge, cross it and head to Capel Street, where you’ll find your delightful, final stop: Jack Nealon’s. A roaring fire will await you, possibly live traditional Irish music, and the indescribable but distinctive feeling of a typical Dublin pub: wood, glass, mirrors, banter and a room burbling with conversation and indifference to closing time or tomorrow.

The wonderful thing about devising this route was hard it was; visitors are spoilt for choice in Dublin. This ritual might be more enjoyable on a weeknight than a weekend night if time permits between now and the 25th. The marauders might be less numerous, but you’ll find that warm Christmas glow permeating every pub. Happy Christmas.

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New story published

‘Leap Years’, a new short story of mine, has been published in The Galway Review.

Stephen Dineen – Leap Years

 

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Ode to St Audoen’s

For many tourists, one of the natural points of gravitation in Dublin is Christ Church Cathedral, a magnificent feat of architecture, history and endurance. Only a few hundred yards down the road – heard of by many more than have visited – is Dublin’s oldest parish church. St Audoen’s first church dates back to the 12th century (though possibly the 9th) and is well worth the guided tour available.

Dedicated to a 7th century French saint, the original church was built between 1181-1212 on High Street, medieval Dublin’s principal street. Over the centuries, through a mixture of declining numbers, lack of funds, and other socio-political factors, the church saw many changes to its character, shape, size, even the proportion of space covered by roofing. Central to its existence was the Guild of St Anne’s. The guild was a chantry, a monetary trust fund established to pay priests to say Masses for the spiritual benefit of certain deceased (previously privileged) people. Its members’ money led to six separate altars being built in this church.

Today, in addition to the existing, newer Church of Ireland parish church, the site contains St Anne’s chapel, which contains a visitors’ exhibition. Adjacent to it is the Portlester Chapel, home to memorial monuments for some of Dublin’s leading 16th, 17th and 18th century municipal families. Visitors can also inspect the church tower, which contains the impressive Portlester Tomb, a cenotaph erected to leading politician and chantry member Lord Portlester, and his wife. Three of the six bells in the loft are the oldest bells in Ireland.

For locals, one consequence of visiting such historical places is discovery of relatively unknown events of significance. Two emerge here.

In 1597, a massive, accidental gunpowder explosion nearby on the quays damaged the church tower. The explosion killed 126 people and destroyed up to forty houses. Though the greatest disaster of its kind in Ireland, rebuilding provided the foundations of the new city centre. Dublin’s centre of gravity shifted.

Almost one hundred years later, a dispute between the chantry and the parish church over whether the former’s vast wealth was actually devoted to charitable purposes led to an act of parliament. Against a backdrop of religious divisions caused by the Reformation, the act led to the dissolution of St Anne’s Guild and all other chantries in Ireland.

Alas, forms of devotion like that of chantry members have evolved. Amidst these medieval chapels, monuments, and stories of the past, a few dozen Dubliners gather in the surviving Church of Ireland chapel every Sunday morning. Every other day of the week, it is the visitors who hear the bells and seek knowledge. The old and the new endure.

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Tower power

The return of the Dublin Book Festival this weekend reminds one of Dublin’s most famous novel, Ulysses, and its iconic landmark. James Joyce only stayed there for five and a half nights, yet no other home has become so synonymous with the writer. The good news for tourists and literati alike is that the James Joyce Tower and Museum, closed for several months late last year and this year, has re-opened.

Situated in Sandycove by the Forty Foot inlet, Joyce’s tower was one of twenty six Martello towers built from 1804 to defend Ireland against the threat of Napoleonic invasion. One hundred years later, the tower was demilitarised and soon inhabited by Oliver St John Gogarty, Joyce’s friend. Joyce was invited to move in some months before he eventually did in September, by which time relations between the two had cooled. On Joyce’s sixth night, high drama involving a firearm, Gogarty, and Samuel Chenevix Trench, Gogarty’s friend who was also staying at the tower, led Joyce to flee. A month later, the young writer would be gone from Ireland forever.

St John Gogarty received many famous literary visitors at the tower of many years. Yet when the granite tower was bought by the architect Michael Scott in the 1950s, fans of Joyce collaborated to turn it into a monument dedicated to the writer. It was opened in 1962.

It’s not because the opening scene of Ulysses is set in the tower that makes this place interesting. It’s more the quirky collection of Joycean memorabilia and letters, combined with clear, informative text about his writing of the world famous novel and his life. The paintings, photos, the two plaster death masks and a plaster bust of Joyce all provide intriguing snapshots of a unique looking man at various stages of his life.

A walk through the museum and tower can take little more than half an hour. It’s run entirely by volunteers, financed by donations. On a fine day the view from the roof’s circular gun deck is spectacular: the proximate but distant brown mound of Howth, the hearty swimmers nearby plunging into the ice cold Irish Sea, the coastline of south Dublin and the broad Dublin Bay – sights and sounds that Joyce returned to again and again in his works about the city. Even plump Buck Mulligan, or the tower’s tenant on whom the character is based, might be pleased.

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Keeping the best for the guests

Have you ever wondered how the Irish State ensures its official symbol is never confused with the Guinness icon? Did you know that when Ireland gained independence in 1922 over half of government revenue was derived from the Guinness family’s empire? Or that when one of the Guinness family members died in Britain, the windfall duties from his estate allowed Winston Churchill to cut income tax by a penny?

Where does one learn about such matters? Not at the Guinness Storehouse but at the State’s official residence for visiting heads of state, Farmleigh. Nestled among the delights of Phoenix Park, this mansion, originally a late 18th century small Georgian House, is open to the public following State purchase from the Guinness family in 1999) and subsequent renovations. It was opened to the public in 2001.

Edward Cecil Guinness, great grandson of the famous brewer Arthur, bought the house in 1873, and commissioned three extensions, including construction of a ballroom, completed in 1896. Whilst a guided tour of the house provides a comprehensive outline of its wonderful interior décor and art, one of the most striking aspects of the talk is the impact of the Guinness family – brewers, preachers and bankers – on Ireland’s economy, society and public finances through their enterprise and philanthropy.

The State has done a superb job on restoring and preserving this house, which contains a most impressive conservatory, a ballroom adorned with a 19th century cut-glass and gilt metal chandelier complete with coronet, and an entrance hall defined by Connemara marble and Corinthian pilasters.

Arguably the jewel in the crown is the Benjamin Iveagh Library, developed by the 3rd Earl of Iveagh (1937-1992). Containing over 5,000 rare books, manuscripts and bindings, the collection includes a primer used by Queen Elizabeth I to learn phrases as Gaeilge. Her namesake, Queen Elizabeth II, who stayed in the house in 2011, would be proud to own such a magnificent, plush library.

Farmleigh contains a range of interior décor styles, Jacobean and Georgian as well as those from the eras of Louis XV and Louis XVI. The State’s official china, unrecognisable to most, is exhibited in the dining room.

Guided tours are available daily and hourly from 10.15am to 4.15pm, except days when it’s closed for State business. Tours are interesting, detailed and free, and the house, which regularly hosts cultural projects and events, feels remarkably modern and vibrant despite its strong preservation with its past. Visitors can also check out the Farmleigh art gallery, or enjoy guided walking tours of Farmleigh and Phoenix Park on Wednesday mornings at 11am. The imprint of the harp endures, in many interesting ways.

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Getting back to the books

The days are getting shorter, the students are back in school or college, and tourists are looking for somewhere warm. Among the top ten, most visited, free attractions in Ireland last year was the Chester Beatty Library, and maybe now is a good time to get back to the books.

Home to a rich collection of manuscripts, prints, icons, books and other art forms, collected by the mining magnate, Sir Alfred Chester Beatty, over many decades, this library was voted best European library in 2002 and shouldn’t be missed.

Chester Beatty built a library at his Dublin home for his private collection fifty years ago. After he died in 1974, the collection was bequested to a trust for the public’s benefit. Now housed in the 18th century Clock Tower Building on Dublin Castle’s grounds, the library offers a breathtakingly diverse collection of books of all ages, shapes and content, as well as manuscripts, papyri and works of art such as Chinese jade books and deluxe woodblock prints.

Among the gems in the first floor collection worth keeping an eye out for are: Decretum Gratiani, a Latin text on vellum, with glosses, dating from circa 1300AD; colourful scenes on cotton canvas from Bhratayadda, the old Japanese poem about epic conflicts; a treatise on geometry from 1215AD; and a book from 1533AD made with binding from recycled waste, as many books were during the Reformation because of the destruction of monastic libraries and the discarding of liturgical texts, thus providing cheap materials.

Religious text highlights, mainly on the second floor, include a Greek text on papyrus of St John’s Gospel (circa 150-200AD), and a codex of the Book of Numbers and Deuteronomy from 150AD, the earliest surviving manuscript of any part of the Bible in the world.

Chester Beatty, who collected Chinese snuff bottles and stamps as a boy before moving on to European and Asian manuscripts, rare books, and Oriental art as an adult, was attracted to decorated books, especially if they had beautiful illuminations. They were not always first editions, but were often the finest. His eye for taste will be evident in the two hours (three if you have time) you should give to the library. The library also regularly gives free talks, tours, and new exhibitions, so it’s best to check in advance what is happening. This Saturday sees a free lunchtime tour of the art of Edo Japan.

Many scholars regard Chester Beatty as the last great private book collector. Given the breadth of collection and resources, they say, it may not be repeated again. This library is history in the making.

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In pole position

These days and months are full of commemorations of seismic events one hundred years ago. A smaller piece of history, about bravery and the human spirit between 1914 and 1917, began one hundred years ago last week with departure by one man from Britain, initially bound for Buenos Aires.

Britain was not Ernest Shackleton’s first home. In 1884, the Irishman sailed from Dún Laoghaire for England, where he went to secondary school, then joined the British navy, before becoming one of the world’s most famous explorers. Now the ferry terminal in the maritime town he once sailed from is where you’ll find the Shackleton Exhibition.

After two expeditions to the Antarctic in the early 20th century, Shackleton organised an expedition for what he saw as the one remaining Antarctic challenge: to cross the continent, sea to sea, via the pole. It began in 1914 and entailed two 28-man ships on either side of the Antarctic. Endurance, with Shackleton, contained a crew for crossing the continent from the north side. Aurora contained 28 men tasked with laying supply depots along the southern end so Shackleton and his crew could complete their journey.

By mid-1916, Shackleton and his crew, which included the legendary Tom Crean, had endured a year of entrapment (in icy seas and on floes), temporary refuge on Elephant Island, as well as two incredible journeys to find help. In late 1916, he then turned his focus to rescuing his men – first, the 22 still on Elephant Island, then the stranded men of Aurora. All but three survived.

The exhibition starts with an introductory talk on Shackleton’s life and adventures. In John O’Reilly, the exhibition director, you’ll get clarity, knowledge and interaction. Visitors then view an exhibition of the photos taken by Frank Hurley, Endurance’s photographer, sprinkled with videos and explanatory text about the crew’s adversity and the treacherous world of ice floes and bergs they faced. One gets a real sense of Shackleton’s character and his strategic and charismatic skills. The exhibition also contains a replica of the 20-foot, open boat on which Shackleton and five others made an incredible 800 nautical mile journey through stormy seas to find help.

Visitors can enjoy this exhibition any day of the week. It will stay in Dún Laoghaire until next Easter at the earliest, after which it begins touring the world for the centenary anniversary. Then it will come ‘home’ to Dún Laoghaire for good. The exhibition shows the town at its best, combining its heritage with a novel activity. And there’s those ever-present reminders, in sight and in sound, of the town’s DNA – the vast, heaving sea.

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Reconnecting with The Dead

As a Dubliner interested in art, literature and music, James Joyce would have approved of Culture Night. Though he left as a young man and never returned, Joyce would have enjoyed reading from afar that his home city’s cultural institutions and famous buildings open their doors for one free night. The city was Joyce’s defining theme – its streets, its rhythms and characters. Dubliners, his famous collection of short stories published one hundred years ago this year, was his first major publication.

Among the buildings open tomorrow evening is 15 Usher’s Island, along the river Liffey. This is the house upon which The Dead, Joyce’s most famous short story, is based. It was in this house that Gabriel Conroy spends an evening at the annual dinner and dance of his aunts, the Morkens sisters, in early January 1904. Conroy mingles and gives guests his annual dinner address during an evening of acute self-consciousness. Later on, in a hotel bedroom with his wife, painful realisations unfold about himself, his wife, life and death.

In 1904, the house belonged to Joyce’s great-aunt. His memories of her annual ‘Little Christmas’ party inspired the story, regarded by many scholars as the greatest ever written.

Though most culture night events start at 5pm tomorrow, this four-storey over basement, Georgian house will open its doors from morning to accommodate the large crowd expected. You may not be overloaded with Joycean knowledge there, but you’ll get to walk the room that inspired the famous dinner party, and get a feel for Joyce’s Dublin, which still exists through the present condition of the house. Time has stood still for this building.

For those not in Dublin tomorrow, do not worry. To manage anticipated demand (1,000 people visited over the course of seven hours in 2012), the house can be visited any day over the next two weeks by booking online. Lucky visitors might get to see the centenary edition of Dubliners, commissioned by the owner, which is being printed on an original Letterpress printing press. More information will be available on the house’s website (www.jamesjoycedublin.com), which goes live tomorrow. For those really enthused about reliving that fictional night, the dinner party room can be booked for an evening of dining.

Culture Night offers much for those in Dublin. It’s diverse, well-organised and atmospheric, reminding local and tourist alike about how much the city offers. Among the things you do, read The Dead, then visit Usher’s Island.

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On your bike for the Hiberno-Indian summer

Among the European capital cities that have embraced shared bike schemes, Dublin has been a success story. Over 42,000 people who live or regularly frequent the capital subscribe to the Dublin bike scheme. Since 2009, when the scheme was launched, there have been 7 million rentals, with more than 95% of trip durations within the free first half hour.sd

Yet it’s not just the locals who are pedalling to make the scheme a success. By the end of June, the scheme had clocked up almost 5,000 short-term subscriptions this year. For just €5 (with the same rates per hour as long-term subscriptions), a three day pass gives the tourist the perfect way to explore the city this September.

It won’t be hard to find one of the scheme’s 100 operating stations. Then get registered and start exploring. During a time of light traffic one route could be along the quays, cycling on the south side till you get to Heuston Station. Cross the bridge there and head into Phoenix Park. Do a lap of one of Europe’s largest public parks, taking in its monuments, greenery, deer and other attractions before cycling back along the north quays.

On either side of the river you can observe the landmarks, the twenty four bridges over the Liffey, and normal city life, including its edgy traffic. There’s a station to deposit your bike at the end of the northside’s quays, where the river meets the sea.

Another option is to find a bike at Grand Canal Dock and cycle along the leafy, placid canal. There’s Patrick Kavanagh’s seat, the willows that dip into the water, the barges, and a pub or two that make for good stopping.

Hang a right onto Dolphin’s Barn Road and wind your way through the Liberties and the older, cobbled parts of the city that ooze with a whiff of the past. Spot Christ Church Cathedral, follow it, then glide down Christchurch Place, Lord Edward Street and onto Dame Street. A spectre of characterful new and old buildings will greet you on either side. Take a right at Trinity’s entrance, then a continuous straight path will bring you to Merrion Square, or a right turn on Nassau Street brings you to Kildare Street, home of many notable institutions.

Wherever you cycle, keep your eyes and ears open at all times. You’ll need a credit card for a three day ticket and only a third of the 100 working stations take credit cards. But for less than half the price of a city bus tour, you can discover a capital by bike, and you don’t have to go Dutch to do it.

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For the power and the glory

As the summer begins to think about meeting autumn halfway, it’s not too late for tourists to visit the interface between Dublin and Wicklow, where suburbia withdraws and hands over to the mountains. A good spot to visit, accessible by public bus from Dublin or through day tour packages, is the Powerscourt Estate.

Home to a once medieval castle, the house on the grounds has been subsequently rebuilt twice: first into a Palladian styled home by the 1st Viscount Powerscourt (completed in 1741), then in the 1990s by the Slazenger family, current owners, necessitated by a devastating fire in 1974. Though the house offers a 12 minute audio-visual history of the estate, arguably it’s the magnificent gardens that make Powerscourt worth visiting.

The grounds offer Italian Gardens and a Japanese Garden, laced with a romantic grotto and Japanese maple trees that come alive in the autumn. The trees of the grounds make the estate most pleasant to walk at any time of year, with over 250 varieties to witness, including Giant Sequoia and Giant Redwood. The River Walk harbours Ireland’s tallest tree, a Douglas Fir that stands proud at 61.5 metres tall.

It’s perhaps by Triton Lake in the Italian Gardens that the most spectacular view of Sugar Loaf Mountain and neighbouring mountains can be found. Here, on a clear summer’s day, Wicklow radiates.

The grounds also contain a Pepperpot Tower with a good viewing point, a pet cemetery and a fine array of gates and statues that various Viscounts of Powerscourt purchased or commissioned arising from their travels across Europe. The house offers a café, shopping opportunities, and a childhood museum displaying dolls houses, toys and memorabilia. There’s also a garden centre, a hotel and golf courses on the estate.

Unfortunately the house and gardens close at 5.30pm, but nearby Powerscourt Waterfall (6km from the estate) is open until 7pm until the end of August. Some of that remaining summer night brightness can be captured there.

If you’ve a car and your appetite for Wicklow’s scenery remains unsatisfied there are plenty of places nearby to explore before dusk. For those making their way back to Dublin on the 44 bus Enniskerry, where the bus departs, is a little village is full of quaint cafés, shops and places for eating and drinking. Just make sure you don’t miss the last bus, as you’ll need more than loose change for Powerscourt Estate’s hotel if you need to stay the night.

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